Graphic design
fromThe Verge
10 hours agoReally, you made this without AI? Prove it
Labeling human-made content is essential as AI-generated works proliferate, creating confusion and skepticism among audiences.
To call the oil paintings of Eyvind Earle "landscapes" is accurate but very sorely wanting. For more than seventy years, Earle turned his unique refracting eye on what he called the "stupendous infinity of nature," interpreting what he saw through a long lens shaped by a very particular kind of mythopoeia.
The first thing you notice about undertone is how quiet it is; not just in its audio mix, but in how it's shot - primarily steady wide shots that slowly pan across empty rooms, allowing your eyes to frantically scan for something amiss. It's an understated form of filmmaking that allows for the movie's scares to hit all that much harder.
The researchers developed round fluffy robots with motorized ribcages that can simulate breathing by expanding and contracting. More than 100 participants held these robots, which breathed in a stable pattern, in an accelerated fearful manner, or not at all, while the participants watched a scary clip from The Shining. The team found that the heart rates of people holding hyperventilating robots increased the most, compared with those holding chilled-out or stationary robots.
In behavioral science, identity follows action. If you're generous, you'll begin to see yourself as generous. If you're a patient person, you'll come to see that as part of who you are. Over time, the brain will wire itself to repeat these patterns.
Accomplishment Hallucination is a cognitive state in which speed feels like competence, output feels like accomplishment, and work feels done when the actual work-the thinking-through, the failure-mode analysis, the sitting with uncertainty until the problem reveals its structure-hasn't happened at all. Physics need not apply. AI can create a similar state in waking life—literally, as your very words assume form before your eyes like a conjuring sorcerer. But, like real life, the code may be buggier than we realize.
As theschool's student newspaper The Sun Star reported, undergraduate student Graham Granger was arrested for criminal mischief after masticating at least 57 of the 160 images that had been carefully arranged by fine arts student Nick Dwyer. The incident was an eyebrow-raising illustration of the collective exhaustion with being surrounded by the outputs of generative AI, a fierce debate that has gripped the art world.
Again. It was happening again. Not even three weeks ago, federal agents murdered a mother of three named Renee Good. A few days before that, another federal immigration officer shot and killed Keith Porter, Jr. in Los Angeles. Daily, our city network of concerned citizens is documenting the injustices happening against our neighbors. Pittsburgh - like America itself - would not exist without immigrants, yet we watch them be dehumanized and terrorized hourly in what has long been known as Mister Rogers' Neighborhood.
I babysat for a weird family during my early adulthood. They had two kids, 6-ish and 2-ish. They were adamantly anti-screen for the kids, which isn't weird. But this was a relatively wealthy family, both parents were college professors, and most of the kids' toys were like Tupperware bowls full of rocks, things they'd found outside, homemade fabric dolls, etc. Apparently, the dad had grown up in communist Russia and didn't think that kids needed much to become resilient.
In a full house at the 1,025-seat Toni Rembe Theater, there was an eruption of gasps and shrieks. The grown man to my right reflexively gripped the arm of my seat, sheepishly muttering an apology. In a distant aisle, I spotted one person get up and run out of the theater, their friend trailing closely behind.
Until recently, "liminal spaces" were only known to architects. But on the Internet, storytellers and amateur filmmakers have morphed these ubiquitous places you pass by on errand runs into caverns of cosmic terror. Now, a new A24 film from 20-year-old filmmaker Kane Parsons is set to kick off the summer and christen it the season of liminal horror.
The timing could not be better: We have much to learn in this moment from a movement that was both explicitly antifascist and radically hopeful - and from how the not-so-antifascist Dalí broke from it. But Dreamworlds presents precious little of the historical and political context - for example, the birth of the movement out of the grotesque terrors of World War I - that would help viewers grasp the relevance of what's in front of them.
"I don't trust my imagination very much, so I often create works based on things I've actually experienced," says Hewa. "I want to animate those indescribable states where all sorts of emotions get mixed up together." In these micro-animations (that do well on social media, both because of their quick runtimes and windows into varyingly haunted and serene worlds), Hewa animates women dreaming of other realities, dinner guests locked into a perpetual state of laughing and empty streets lined with crooked houses.
Alg Eventual is an Ohiobased audio/visual new media artist creating glitch art, digital collages and abstract mixed media works with a reference to the roots of the early 2000s. His works feature scanner experiments, layered textures and titles like Exterior, Interwind, Articulation, Overthinking and Everything leads back to you, blending digital manipulation with tactile, fragmented aesthetics. More: Instagram