#victorian-buildings

#victorian-buildings

"When I see this, I'm thinking hallelujah. It's the first real indicator that the VA is willing to step up and get that chapel restored, which frankly I think is their responsibility."

The Page & Overton's Brewery started in a small red brick building on Overton's Yard and slowly expanded into buildings on the other side of the yard, dominating the area for decades.

The museum, which displays Walthamstow's colourful cultural history - not to mention Britain's first ever petrol-fuelled car - closed for renovation in December 2023.

It's not a house of outstanding art, being a self-taught carver whose skills evidently advanced over the years, as you can see the evolution from fairly rough carving on the stairs to the very skilled work in the living room. He also created the paintings on the walls - talented chap - but never finished the carving in the living room, as his time finally ran out.

The Grade II listed building is on Historic England's Heritage at Risk Register and is currently recorded as being in poor condition. The national Marine Society and Sea Cadets (MSSC), which held the lease, has confirmed that it can no longer meet the building's repair obligations and will surrender the lease so that restoration can be carried out by new occupants.

Twelve weeks after coming on the market, the Surrey house used to portray the home of actress Maggie Smith's character, Lady Violet Crawley, found a buyer and recently closed along with several adjacent properties for nearly $9 million. Known as Dower House on the TV series, it was built around 1686.

"Those panels really only last about 40 years maximum. These panels were covered in lichens, so the station was very, very dark."

Designed by noted residential architect Roland E. Coate, the home was built in 1926 for Annie Wilson, daughter of pioneering Southern California businessman and politician Benjamin Wilson, for whom Mt. Wilson is named. The gently sloping 1-acre-plus property was once part of the vast holdings of George S. Patton, father of the famed U.S. general.

Despite its proximity to one of London's busiest tourist attractions, its back street location is remarkably quiet and peaceful. Leading off Stafford Place, it was originally, and unsurprisingly, called Stafford Mews, as it was built as stabling for houses on Buckingham Gate, facing the palace. Constructed around 1860, the stables were simple two-storey houses, built initially with stables at the ground and accommodation above.

These days, brutalist buildings are among London's most celebrated works of architecture. But it hasn't always been this way. Back in 1967, the Southbank Centre, one of the city's most striking examples of the style, was voted Britain's ugliest building by readers of the Daily Mail. In the latest indicator of just how much times have changed, today (February 10) the Southbank Centre has been awarded listed status by the Department for Culture Media and Sport.

"After careful research and thought, my design for the Queen's monument will emphasise her role as head of state and proudly follows a sculptural tradition that shows kings and queens from the House of Windsor in a standing position," said Jennings. The previous horse-riding images had been for illustrative purposes only to show the size, scale and location rather than the final design, says the Cabinet Office.

Originally called the Grand Triumphal Arch, it was built in part to commemorate Britain's victories in the Napoleonic Wars and as part of King George IV's remodelling of Hyde Park and Buckingham Palace. Announced in 1825, it would take a year of wrangling to settle on a design for the arch. The chosen architect, Decimus Burton, initially planned a triumphal arch modelled on the Arch of Titus in Rome,

There's a three-story turret, a front porch the size of some one-bedrooms, and a private driveway (with a porte cochere, no less). Wave-shaped dormer windows overlook the Spanish-tile roof. Inside, there's parquet for miles, wood paneling, stained glass, beamed ceilings, and a classical frieze of men in togas. Out back, there's a pergola and a small pond. "They don't build them like that anymore," says broker Joe Brikman,

If you're an art deco architecture geek, you'll no doubt know all about Ibex House. The shimmering pale office building, which you'll find on the east side of the Minories in the City, is renowned for its long streamline moderne curves and mesmerising black-framed windows. The vast H-shaped structure is Grade II-listed and one of London's most remarkable surviving art deco buildings.

The most arresting is a dramatic circular void carved into the ceiling, a spatial echo of St Paul's dome, translated from the sacred to the everyday. Below it, a monolithic espresso counter holds the room together, its weight and material language borrowed from Tate Modern's industrial character and the infrastructural logic of the riverbanks themselves.

So, this late 1970s block of flats was built on the site of the former estate office. So did the red corbel come from there? Looking at a photo of the corner of Risinghill Street and Penton Street, taken in 1956, doesn't seem to offer much help, as it shows a row of shops and behind a row of terraced houses.

"This is our first home together as a blended family. I really wanted it to look and feel special for everyone," Cheylene writes. "When designing the rooms, I kept three things in mind: Keep it durable (a must with three boys!), keep it thrifty (we didn't want to spend too much), and keep it FUN. It's all still a work in progress, but we feel very much at home here."

The world's oldest surviving gasholder is to be restored and repurposed as part of a housing development in west London. Hammersmith & Fulham Council has approved plans that will see the Grade II* listed Gasholder No.2 at King's Road Park restored, securing the future of a structure that will soon reach its 200th birthday. Built between 1829 and 1830, Gasholder No.2 is believed to be the oldest surviving gasholder in the world.

Fiona Twycross, the heritage minister, is to be congratulated for finally giving London's Southbank Centre Grade II listing (Campaigners welcome long overdue' listing of brutalist Southbank Centre, 10 February). I remember being shocked when I first saw it in the 1960s, but it has become a remarkable symbol of the zeitgeist. Its grey concrete and its childlike composition together express the fatalism and despair of a nation in economic and political decline.

A Victorian drinking fountain has been restored to its original location following conservation, but it is not fully functional and cannot dispense drinking water. The Princes Circus fountain was installed in 1879 to commemorate Queen Victoria's 60th year on the throne, but was originally in a different location. It used to be a bit further north, on the junction of New Oxford Street and Shaftesbury Avenue, opposite Coptic Street. In 2003, it was moved to sit in a fenced-off island space outside the Shaftesbury Theatre.

For most of its life, the alley's main feature was the church of St Martin Orgar, possibly named after Ordgarus, a Dane who donated the church to the canons of St Paul's. Sadly, most of the church was destroyed during the Great Fire of London. The badly damaged remains were restored and used by French Protestants right up to 1820.