#viking-conquest

#viking-conquest

CHARM is built around a large-scale survey of material connected to three major writing centres-Turku, Naantali, and Viipuri-in the 15th century. By comparing charters and book fragments together, the researchers aim to map how writing practices were adopted, modified, and localised, and what that meant for society and administration in a region that was then part of the Swedish realm.

Excavations carried out in 2025 by the Arctic University Museum of Norway revealed that the artefacts came from a boat burial. The grave contained the skeleton of a woman placed inside a boat measuring about 5.5 metres in length. She had been buried together with a dog, suggesting the animal may have been an important companion in life.

Imperial Roman ethnography was a gift the Romans made for themselves, because it embraced concepts with which they could address the great cultural diversity of their world. It was a gift that came from the conquerors, reflecting their supposition of preeminence. At the same time, Roman ethnography was a somewhat less welcome present for the many peoples who found themselves trapped in Rome's vision, needing to find a place within it that made sense to Roman demands.

"Cnut: The North Sea King" by Ryan Lavelle is a short and engaging biography of the most ambitious and successful Scandinavian leader of the Viking Age. Lavelle captures both the brutality and pragmatism that allowed Cnut to govern England effectively for almost two decades, despite being an outsider and a foreign conqueror. In 1066 and All That (1930), a parody book of English history,

Early migration and Erik the Red The first humans settled in Greenland around 4,500 years ago. They came from the North American continent. In the 12th century, they were gradually displaced by Asian immigrants, the Thule people, who arrived on the island from Siberia via the Bering Strait. Their descendants are the Inuit, from whom most of the 56,000 Greenlanders today are descended.

You know the drill by now: large scale immersive exhibitions have gone from nowhere to ubiquity in London, with the last year alone bringing us big, tech-augmented, family-facing shows devoted to the likes of Tutankhamun, the Titanic, and the destruction of Pompeii.

We get started by exploring the origins of the Normans in the county and then duchy of Normandy. We will understand their Norse background and their relationship with the Carolingians. The timeline approach will help us discover all the counts and dukes of Normandy, and what they contributed to their realm. This will set the foundation for the interconnected stories that will lead us to England and the Mediterranean.

A gold ring with a deep-blue, oval setting - decorated with fine spirals of filigree and tiny granulated beads - has been recovered from medieval deposits in Tønsberg, a historic town in southeastern Norway. The ring was found during an excavation in the modern town centre, where archaeologists have been investigating layers of urban life preserved beneath today's streets. The discovery was made within the protected archaeological area known as Tønsberg Medieval Town.

Beyond the reach of medieval Christendom, Viking-age Scandinavia drew its ideas about gender less from scripture than from myth, law, and the practical demands of life in a raiding and trading world. Luke Daly explores how women could wield real authority-as estate managers, property holders, ritual figures, and, at times, political actors-within a society that was still hierarchical and often violent. Beyond the cathedrals and the long shadow cast by Rome lay societies whose moral and social assumptions were not governed by the cross.

In the medieval world, strange signs in the sky were rarely ignored. In AD 536, when the sun seemed to lose its light and the climate turned harsh, that catastrophe may have been remembered in the terrifying Norse legend of Fimbulvetr. In our medieval past, the sky was thought to be tightly connected with the landscape. Historical sources show a deep sense of fear caused by celestial phenomena such as comets, meteors, bolides, and even the aurora borealis.

The Last Kingdom (2015-2022) is a historical fiction TV series based on Bernard Cornwell's The Saxon Stories novels and adapted for television by English screenwriter Stephen Butchard. With five seasons, the show began as a BBC production and was later acquired by Netflix. Filmed in Hungary and Wales, it is based on English history during the 9th and 10th centuries, as the Anglo-Saxon kingdoms fought against the invading Vikings.