MarcAurele knew he had to strike while the iron was red-hot, so he got to writing, and in just three short weeks he was bringing the show to life, complete with a number that explored the inherent musicality of that bike scene and another that featured a chorus lauding 'gay hockey players with big butts' as if they were singing a church hymn.
Under the ABS challenge system, a team begins each game with two challenges. If a player gets an umpire's call overturned, their team retains the challenge. In effect, this means a team has unlimited challenges until they get two wrong.
The production that just opened at OSF, directed by Marcela Lorca, is the best I have seen. Working with a strong cast and a spectacular movement and design team, this production crackles with vitality and originality.
The Victorian building is set to become a 2,300-capacity venue, which the company says will showcase 'a wide range of artists'. The building dates back to 1896, when it was used as a theatre and opera house, before closing its doors in 1933. After that, it became a cinema - though this, too, closed in 1969.
The Castle Cinema, which opened on Chatsworth Road in 2015 after a crowdfunding campaign, has become one of the best places to catch a film in the whole of London, so there's no better team to revitalise Catford Mews. Reopening at The Castle Catford some time in 2026, the venue will boast three screens, a community space, a bar and a cafe.
The Richmond Theatre opened in 1899 as the Richmond Theatre and Opera House. Designed by the prolific theatre builder, Frank Matcham, barring some modest changes, it's pretty much still the same theatre that opened over 125 years ago.
At Troubadour, we are driven by a belief in creating extraordinary spaces that inspire artists, audiences, and the stories they come together to share. The 3,000 seat venue is to be built in Greenwich Securing planning permission for the new Troubadour Greenwich Peninsula Theatre marks a major milestone for us, and an exciting new chapter in our commitment to bold, large-scale live performance.
The Donmar's programme is as eclectic as ever, with the opening play being (Apr 18-Jun 6). US actor-writer-director Fran Kranz's adaptation of his own hit indie film is about two sets of couples - the parents of the victim of a high school shooting, and the parents of the shooter - who attempt a painful reconciliation years after the event. Carrie Cracknell directs a top cast that includes Adeel Akhtar, Amari Bacchus, Monica Dolan, Paul Hilton, Lyndsey Marshal, Rochelle Rose and Susie Trayling.
But at the end of this month, there's a brand new festival arriving to inject some colour into the financial district. 'Vibrance' will light up Roman ruins, medieval churches and secret gardens across the Square Mile on Thursday January 29 and Friday January 30 from 5.30pm until 8.30pm. Created by Guildhall Production Studio, it brings together more than a dozen artworks and live performances by emerging artists from Guildhall School of Music & Drama.
First up then is Emily Lim's production of A Midsummer Night's Dream, which runs April 23 to August 29. Keen-eyed observers may note that there is currently a production of the same play running at the Globe's indoor Sam Wanamaker theatre. To put it bluntly, A Midsummer Night's Dream is big bucks at the box office, and there's an endless stream of things you can do to it.
We've been exploring what nightlife looks like in London outside of the traditional nightclubs, and here comes the Barbican with a brand-new late-night party series. The 'anyone can dance' events will be a celebration of diaspora, community and joy, with the Level -1 foyer space turning into a dancefloor open until 3am. The series is kicking off on Fri 20th February with a night curated by Eastern Margins, a collective that celebrates alternative East and South East Asian creativity and culture.