#antique-faire

#antique-faire

The vintage market in Lafayette features a curated lineup of the Bay Area's top vintage dealers, popping up across multiple parking lots on both sides of a full block.

Paul Kutchinsky's ambition to create the world's largest jeweled egg was driven by a desire to showcase British craftsmanship on a global stage, competing with the legendary Faberge eggs.

The Helmet of Cotofenesti, a priceless gold artefact from Romania, was stolen in January 2025 during a robbery at the Drents Museum in the Netherlands.

"In many ways they've become part of the visual landscape of the vintage market, particularly online, where speed often replaces connoisseurship," says Rodrigo Fernández, director and cofounder of Diez Company.

We are delighted to unite these incredible archaeological finds from across the North for our latest exhibition. From Roman silver discovered along Hadrian's Wall to 9th-century gold found by a Newcastle University student, this is a rare opportunity to see these scattered treasures displayed alongside one another.

In the digital world that we're in, you know, negative videos are what goes viral. People are always knocking people down a peg and it's really easy to fall into that. If something bad happens-which, when you own your business, something bad happens every day- it's easy to circle in despair. But my challenge is to look for the positive and figure out how to pivot, and if something isn't working then figure out a different way to get it done.

Montreal's shopping scene is a vibrant mix of vintage clothing, luxury retailers, and local craftspeople, embodying the city's unique blend of cosmopolitanism and indie spirit.

Glass demands immediacy. Working at temperatures above 2,000°F leaves little room for overthinking, so the process becomes a kind of live dialogue between material, colour and chance. That same immediacy informs what I'm drawn to as a collector: works that carry a decisive gesture, a tactile presence, and the feeling that they could only exist in one form.

The Shakers embraced the concept of radical simplicity in everyday life, as well as mandatory celibacy, pacifism, and gender equality, which continue to resonate today.

First, you probably have to rewire the lamp. Unless the seller already did it for you, it's best to rewire any vintage finds so you know they've been safely updated. The process isn't that hard, but you will need to buy the supplies and spend the time to do it correctly.

The Aubusson Tapestry Museum is situated in an exceptional context shaped by a rich history and a powerful natural environment. The Creuse capital of tapestry has been marked by its history since the royal manufactory of the 14th century.

The question of how fashion is archived - what enters the museum; what is deemed worthy of preservation; whose clothes are considered culturally significant enough to outlast the bodies that wore them - has long sat uneasily at the centre of fashion history itself. Institutions have tended to answer it, or ignore it, in much the same way: couture gowns under glass, luxury garments mounted on conservation-grade mannequins in blockbuster exhibitions - an implicit hierarchy of the designed over the worn, the authored over the anonymous.

In the UK and the US, it is often crystal clear when your new home is classified as a heritage home or period property, but in France it can be less obvious. You could be breaking the rules simply by installing new windows. So how can you check that your big plans aren't going to upset anyone - or worse, break the law?

The exquisite, jewel-encrusted boxes were badly damaged in 2024, after they were among seven treasures stolen from Paris's Musée Cognacq-Jay by a gang of axe-wielding thieves. The perpetrators broke into the temporary exhibition, titled "Luxe de Poche," or "Pocket Luxury," on November 20, making off with goods that were, at the time, reported to be worth more than €1 million.

Paris didn't invent shopping (even if it sometimes feels that way), but it arguably invented the specialty shop as we understand it today. Long before concept stores, lifestyle retail, or anything resembling "curation" entered the vocabulary, Paris was already organized around doing one thing extremely well -and it still is. From cheesemongers to winemakers and beyond, specialization remains the point.

As someone who loves vintage things, you can find me at my local thrift store regularly. I enjoy stocking my closet with secondhand finds and finding gifts or unexpected storage gems instead of buying them new. The thrill of the hunt is ultimately what keeps me going back time after time. Whether I have 10 minutes or an hour to peruse, flipping through clothing racks and scouring the shelves always brings me joy,

Picture this: you're knee-deep in renovation dust, crowbar in hand, when something unexpected tumbles from behind century-old plaster. A yellowed envelope? A strange metal box? That moment when your heart skips because you realize you might have just found something extraordinary. For some lucky homeowners, these discoveries turn out to be worth thousands of dollars, transforming a simple home improvement project into an unexpected treasure hunt.

Furniture made from mycelium or algae can decompose in five years, sure, but a well-made antique armoire outlives empires because no one throws it away. Columns takes that logic seriously. Handcrafted in solid oak, natural leather, and horsehair, the pieces are built to last a thousand years, which sounds like marketing hyperbole until you look at the joinery, the hand stitching, and the material choices. This is furniture designed to be inherited, repaired, and remembered.

Some of my best discoveries, turns out, were found in the most typical of hardware and sundries stores. When it comes to cleaning, the French aren't wielding harsh chemicals or power tools, but rather, sticking to what's worked for generations. Among us at Remodelista, there's at least one tool or product we've each co-opted into our own American homes. Here are our favorites.

Designed in close dialogue with the Prado's conservators, the coats meet strict functional requirements essential to restoration work. They are constructed from high-quality, non-reflective materials that prevent any glare from interfering with the surface of a painting-an essential consideration when working millimeters away from a Velázquez or a Bosch.