You know, this story is a bit different, right? We always do the Bird-Magic thing where we combine the narratives of Larry Bird and Magic Johnson. And really, what I wanted to do with this book was just tilt the camera a little bit differently, change that perspective and zoom in on that origin story in rural Indiana in the 1970s.
What does it mean to subscribe to something? Whether we mean a belief or a magazine, the definition is complicated. I began subscribing to The New Yorker when I was a sophomore in college; more than 30 years later, I have yet to stop and I feel strongly that I never will. Yet during some of those years-okay, many of them-the weekly issues have piled up in my home and gone mostly unread between biannual days of bingeing and purging. If these reading habits could somehow be converted into digital clicks, the resulting "traffic report" might look like I don't want the product at all.
From the outset, in the novel's prologue, Anna tells us she is determined to account for herself and her life. But we are to expect no ordinary narrative, concerned only with actual events, evidence-based or relying on historical data. No, Anna is interested in the climate of the psyche and the vibrations of the soul. Can it be that the very things we cannot quantify or rationalise are what make life meaningful?
Dilara, the protagonist of this début novel, is consumed by the absence of a stable home in her life. She and her family flee Turkey, where she is from, after a failed coup in 2016. When they end up in Italy, something inexplicable happens: Dilara's bathroom transforms into a cell in an infamous prison on the outskirts of Istanbul.
Research has linked reading for pleasure in childhood to a host of positive educational and socioeconomic outcomes. But now 14 years after the Department for Education, in a more innocent time, commissioned a chunky report on the matter—reading books for pleasure is an activity in crisis. The culprit usually blamed for this falling-off is the smartphone and its many short-term distractions; the mere presence of a smartphone in the room, recent research suggests, has an impact on our ability to concentrate.
This devastating début novel takes the form of an oral history about a tragedy that shatters a family. At its heart is a couple who arrived in the U.S. in the late nineteen-nineties as refugees from Afghanistan. They prospered, and brought up four children in an affluent suburb in Virginia. Rotating testimonies from people they know-family friends, a cousin, lawyers-offer theories about what led to the novel's central catastrophe.
Set in a version of Cape Town in the years after the First World War, this sure-handed, gothic-tinged novel tells the story of Soraya, a young Muslim woman who works as a live-in housekeeper for an elderly English widow. Soraya has "a fanciful mind" and is able to see ghosts and communicate with spirits, including previous domestic workers. Much of her time is spent preparing the house, "a strange place full of fright,"