#drawing-books

#drawing-books

Elisava's Master's in Graphic Design is ingrained with societal, cultural and critical contributions to the creative industry, going beyond its aesthetic output while fostering self-awareness in creatives.

"We're constantly striving to strike a balance between work that respects academic rules of composition, established visual codes and good readability, with something more spontaneous, adventurous, playful, even naive."

Pratt Shows is an annual series of public exhibitions and presentations by the Institute's graduating class, representing years of research, exploration, and creative inquiry.

To really work in the high end of the industry, formal schooling is an absolute necessity. It isn't just about whether you can say, oh, that floral looks good with that stripe. Rather, it's about mastering foundational design principals and developing fluency with the rendering and software tools required of day-to-day work. It's about designing to satisfy a question.

Each layered element is independent, all housed within one object on your timeline. Multiple elements can be combined into a Flipbook by using the multi-select function. This allows for users to shift, organise, and retime frames.

Dealers like artists with established sales records because it lowers their already considerable financial exposure. Renting a gallery space in Tribeca costs anywhere between $8,000-30,000 a month on top of staff, marketing, and daily operations. With that kind of overhead, very few business owners can afford to take on the financial risk of untested artists.

What we found was that errata sheets were not only spaces for corrections but also sites of humor, legal maneuvering, and reinterpretation. With this exhibition, we wanted to share ways in which even small corrections can reshape meaning and authority.

Sand Art is a game by Kory Jordan and published by 25th Century Games for two to four players ages 10 and up. It takes about an hour to play, and has you collecting resources and then coloring in a bottle, making art in a bottle out of sand, in case the name didn't give away the plot. Gameplay Overview: Sand Art has you gathering and mixing sand, which is used to fill your bottle.

There's a particular kind of panic that hits when you're facing a creative problem, and the well just feels... empty. Every idea seems stale. Every solution feels recycled. And the question creeps in: Have I finally used up all my good ideas? Maybe it's your third attempt at solving the same design problem, and every solution feels like a pale echo of something you've already tried. Or perhaps you've been churning out work for months, and suddenly the spark you used to rely on? Gone.

Illustrator, designer and co-publisher behind Caboose Books, Clay Hickson joined us in Los Angeles to talk about finding self expression through chosen sketchbooks and pens, both of which are key to his own creative practice and illustration process.

A graphic designer that isn't limited to working in 2D, Ward Goes has been working in aluminium of late. His recent solo show in Rotterdam, Literally Anything, was full of things that moved beyond the screen or printed page, including some wonderful metal signage and archival storage. The exhibition at Alley Space was the result of the designer's decision to pursue more tactical investigations alongside his commissioned work at the start of 2025.

You'll get a pre-made faux leather cover to decorate and personalise with a range of buttons, charms, stamps and fabric pieces. You'll learn to experiment with collage and layering techniques and combine different types of embellishments to add texture, colour and personality to your journal.

In his graphic design work, Aldon transforms periodic tables and dense masses of information into maximalist pieces of design, expressing information whilst also challenging the impossibility of taking it all in. Data sprawls across screens and pages, overlapping in overloads and feedback loops, communicating more the aesthetic of information rather than its substance, playing with images we have all seen in science classes or colour palettes. These are exploded infographics.

I take the product apart. CAD it up. Illustrate each view. Then animate and lay it out for the web. That sounds quick, but it does take me quite a bit of time to create each one.

I'm a midweight designer looking to step into another job elsewhere but I keep hearing so many conflicting things about portfolio formats and I don't want to have to recreate three versions all on different platforms just to apply for a job. I can't find any solid advice on what agencies are looking to see regarding format and if sending a PDF makes you look dated.

The studio is at my house within a ranch, surrounded by nature. It's on the second floor of the house, where there's better light. My routine all day shifts between studio work and housework, including outdoor garden work. I get up a bit before 7am, drink coffee in the yard, and get morning sunshine. Then my husband and I eat breakfast and do a bit of cleaning or some chores in the garden.

At the end of November of 2011, I saw my dad take his last breath. I came back to the United States after participating in all the death-related rituals that helped organize my pain in México. New York City was not a place to live my mourning, and right around December of the same year, I felt an intense longing to become small again. I needed to work with children.

They teach us how to make photo-like drawings. Such renderings look decent but also generic, conventional-like something an AI tool might produce. And they are boring. Why is that? Because they don't mean anything. Meaning An object, like a cup, can mean many different things to us. Now the question is: Which meaning is relevant to you right now? And the answer to this question is what makes your drawing interesting.

Our new line of Colossal merchandise is finally hitting the (digital) shelves in the Colossal Shop. We're big fans of repping publications that inspire us, and we're excited to finally offer our own goods to this special community of readers. Hats and mugs are now available, and all proceeds directly support our ongoing commitment to make art accessible to everyone. You can also receive a mug by joining us with an annual Patron of the Arts membership.

For those who are in desperate need of stimulation, this zine delivers - its visual language is razor-sharp and packed with colour, each page feels like a porno magazine that has vomited everywhere. Hattie calls it a "frenetic deluge", a collection of themes that circle the drain of "online fatigue", a way to process an excessive amount of information in order to create meaning and seek comfort.

Mornings are best for concentrated work. In the winter, I turn on the heat at 8am and get started around 10am. Summer, I start around 9am. I have two areas in the studio for projects. The large, heavy wood sculptures are carved in the front section of the studio, closest to the roll-up wide door. Smaller sculptures are placed on a hydraulic workbench. Before I start, I focus, connect with the Source, and ask for guidance.