To find a previously undiscovered Underground Railroad site is the holy grail of historic preservation, according to attorney Michael Hiller, representing the Merchant's House Museum.
I designed the sculpture so that, if it was vandalized, it would still be the same message, because the vandalizers would literally be ending ICE. Art has a lot of impacts on people, and it's a very emotional message and cause.
The passageway is hidden in the last place most authorities would look for a person-within a set of drawers near the bedroom, on the second floor. There, a two by two-foot hatch opens onto a 15-foot shaft with a makeshift ladder extending towards the basement pantry.
This is a proactive move to prevent any further damage if protestors do break the law and apply any graffiti to anything on the grounds. All eight statues on the legislature grounds will be wrapped by staff in the coming days. The protection will be in place ahead of the start of the legislative session next week.
The community held a farewell party for Dinosaur, complete with pigeon-themed trivia, pigeon bingo, live music, and family activities. The statue's creator, Iván Argote, was even in attendance signing exclusive prints of what has become one of the most iconic birds in the city.
Over 44 years in public office, Moses reshaped the city like no other government official had in the 20th century. When he came to the Bronx, his aim was driven solely by moving traffic - and he did not care how many lives he needed to upend, or neighborhoods to bulldoze, to make the traffic move.
The tragic love story between Jack and Rose was built on luxurious travel, raucous parties, and secret nude sketches. This monument honors the bond between Donald Trump and Jeffrey Epstein, a friendship seemingly built on luxurious travel, raucous parties, and secret nude sketches.
As a candidate, he eschewed the idea - saying he would be too busy governing to march. "I haven't thought much about parades, to be honest with you," Mamdani said during a general election debate. But as a mayor who rose to power by appealing to oft-overlooked constituencies like young, South Asian and Muslim voters, Mamdani has also governed with a pragmatic streak.
"The object of the Museum is to acquire power," announces a crusty old archaeologist in Penelope Fitzgerald's 1977 satire, The Golden Child. It isn't a goal he respects. He wants the museum where he's settled into semiretirement to genuinely devote itself to educating its visitors. Instead, he correctly charges, its curators act like a pack of Gollums, hoarding "the art and treasures of the earth" for their own self-aggrandizement and pleasure.
It's the latest and dumbest chapter of the assumption of the figure of Columbus into the right-vs-left American culture war, in which the reactive American right has been compelled to champion and obsess over the historical and cultural validity of an Italian explorer born in 1451, who never even physically set foot on the land that would become the continental U.S.A., because the left dared to add context to the historical record.
Crews dismantled plaques telling the stories of the nine enslaved people who lived in the President's House in Philadelphia, and were owned by George Washington.
For two centuries, from the mid-1600s to the mid-1800s, free and enslaved New Yorkers of African descent were buried at the Harlem African Burial Ground. Over time, the history of this site was lost - erased by the subsequent redevelopment of the land. Today, the Harlem African Burial Ground project is a community-driven vision to honor and memorialize this historic site with a new outdoor memorial and indoor cultural education center, while also addressing affordable housing and jobs needs in the East Harlem community.
Following the removal of a slavery exhibit at the former presidential homes of George Washington and John Adams in Philadelphia earlier this month, the municipal government is suing the US Department of the Interior and the National Park Service (NPS), claiming that the NPS acted outside of its authority. The exhibits memorialised the nine individuals Washington enslaved during his tenure in Philadelphia as the nation was being founded.
Last summer, I did face painting at a block party in my Brooklyn neighborhood. In the sweltering August humidity, I rendered pink butterflies and Spiderman webs on tiny, sticky faces; unsurprisingly, my designs didn't last very long in the bouncy castle. Except for the glitter. For weeks, I found it in my hair, on my cats, in my sink, and in random corners of the house, migrating to and fro like dandelion fuzz.