Whenever you're working with an existing IP, there's always the question of how you're going to translate and adapt, right? Because it's not a one-to-one sort of interpretation.
Set on the blossom tree-lined fringes of Hyde Park in London, Herbert Wilcox's black-and-white rom-com blows in like a fresh spring breeze. The film charts the will-they-won't-they romance between Richard (Michael Wilding), a wealthy lord masquerading as a butler, and Judy (Anna Neagle), the niece of the family who employs him.
This isn't just about replicating the animation; it's about emulating the creators' intent. To bridge the gap between a CGI snowman and reality, the team had to invent new technologies in the field of legged robotics—cramming a bizarre skeleton into an incredibly tight space—and rely on deep reinforcement learning so the machine didn't face-plant or literally melt its own hardware.
Drawing on childhood memories, folk art, and nature, the London-based illustrator and model maker creates expressive sculptures and puppets that inhabit dreamlike realms. Invoking historical costumes and cartoonish and emotive faces, Johnston's otherworldly cast seems both familiar and strange, as if children's book protagonists have sprung to life or converged with a strange dream.
Each layered element is independent, all housed within one object on your timeline. Multiple elements can be combined into a Flipbook by using the multi-select function. This allows for users to shift, organise, and retime frames.
The Tale of the Bamboo Cutter tells of an elderly bamboo cutter who discovers a tiny, radiant girl inside a glowing stalk of bamboo. He and his wife raise her as their own daughter, naming her Kaguya-hime. As she grows, she becomes extraordinarily beautiful, attracting suitors from across the land. Five noblemen seek her hand in marriage, but she tests them by assigning each an impossible task-such as retrieving the Buddha's stone begging bowl or the jewelled branch of Mount Hōrai. Each suitor fails.
In illustrator Chiara Xie 's work, everything is in motion. Rooted in a deep reverence for vitality, Chiara is fascinated by "the rhythm that flows through a scene", lingering like a suspended breath, and other times "surging as a vibrant, agile current of motion". It's not hard to know what she means: every illustration is filled with motion, arcs of light and air bouncing off every corner.
Through the tiny window of short clips on Instagram and TikTok, Mary's world seems enchanting and vast. Bree's work exudes melancholic emotion and ethereal femininity, painting the surfaces of Mary's world in the vibrating style of stop-motion animation, dappled with sparkling light and computer-generated surfaces so convincing it feels like you could pose the model with your own hands. O'Donnell sat down with us to talk a bit about her process creating textures and her life's work making magic real.
One Piece's Monkey D. Luffy joined the Macy's Thanksgiving Day Parade floats, the latest Demon Slayer film earned $780 million at the worldwide box office in 2025, and the animated musical KPop Demon Hunters (though not technically anime) became the most-watched original Netflix movie of all time. As someone who had no one to talk to growing up during the days of Naruto and Dragon Ball Z, it's tough to even process that the genre has reached mainstream status around the globe.
It's nice that you are asking about props, because they're not really acknowledged, says Jode Mann, a TV prop master in Los Angeles. When Mann worked on the children's comedy show Pee-wee's Playhouse in the 1980s, she got a call from its star, Paul Reubens, who said he was nominating her for an Emmy. It was only after Mann told her mother and promised to thank her if she won that Reubens called back to say he couldn't nominate her because there's no category for you.