London food
fromTime Out London
3 hours agoSouth London has a new art and short film festival - and it's free
A free artist-led festival in Peckham from May 8-10 features exhibitions, panel talks, and complimentary food and drinks.
For all its historical trappings, 1776 isn't a pageant, and it doesn't behave like one. It's a talky, funny, occasionally cranky chamber piece about a group of men stuck in a room, led by the stubborn, relentless John Adams, arguing their way toward independence.
There's something powerful that happens when students step onto a stage and the entire community shows up for them. Events like this bring families, staff, and students together in a way that builds pride, connection, and a real sense of belonging.
MarcAurele knew he had to strike while the iron was red-hot, so he got to writing, and in just three short weeks he was bringing the show to life, complete with a number that explored the inherent musicality of that bike scene and another that featured a chorus lauding 'gay hockey players with big butts' as if they were singing a church hymn.
Under the ABS challenge system, a team begins each game with two challenges. If a player gets an umpire's call overturned, their team retains the challenge. In effect, this means a team has unlimited challenges until they get two wrong.
In that small 30-block zone last year, there were 486 reported crashes, injuring 76 cyclists, 108 pedestrians (one fatally) and 67 motorists, according to city stats. That's more than a crash every day, injuring more than 250 people.
Lachlan Turczan's practice sits in the space between physics, optics, and environmental art, as he works with lasers, water, mist, and custom-built lenses to produce sculptures made entirely from light.
"Rather than a traditional theatre, we are creating a garden of earthly delights. Empyrean is a place of ecstasy, artistry and real interpersonal connection. When the curtain falls, the night has just begun."
Kamrooz Aram is everywhere this year, from Mumbai Art Week to the Whitney Biennial, and critic Aruna D'Souza is grateful. She pens a beautiful meditation on his work, reading his abstract paintings as not simply a denunciation of Western modernism nor a reassertion of Islamic visual motifs, but something else entirely - something gestural, exuberant, riotous, and incomparably his own.
All this to say that Alexander Whitley can harness the technology that so fascinates him, and equally importantly, that he fully understands, to enhance his primary vocation as a dance maker and produce bewitching work. Unfortunately, Mirror, and its companion piece The Rite of Spring, in the brand new double bill currently at Sadler's Wells East, proved major disappointments.
People all saw that there is something new is being attempted here that you've just got to see. I think that is its own reward. In an era where New York's storied Met Opera has faced layoffs, pay cuts, postponed productions, and a controversial financial agreement with Saudi Arabia, forward-thinking artistic direction becomes essential for survival.
This is an absolute beginners course on the foundations of classical ballet and, a single catastrophic line dance lesson aside, it is also the first dance class I have ever attended. I am in the minority. As we take the barre, it quickly becomes apparent that not being able to tell my left from my right will be a significant deficit over the next 16 weeks. This, however, is a tertiary concern.
On a cool winter night in Los Angeles, dozens gathered to protest the Trump administration's attacks on the arts and the recent federal immigration raids in southern California. But these protestors didn't carry signs or chant in front of a government building they recited poems such as Antifa Tea Party and Love in Times of Fascism. They performed anti-fascist improv to a small but lively crowd at The Glendale Room, a library-themed theater, as part of the monthly show Unquiet: A Night of Creative Resistance.
Two years ago, the annual Under the Radar festival (which showcases international, experimental and multidisciplinary theater) was unexpectedly canceled by the Public Theater, its longtime presenter, due to financial issues. In response, the festival was quickly reconceived as a citywide effort involving several other theater companies, allowing it to move forward. The festival, now in its 21st edition, returns this month with productions at theaters across the city from Jan. 7 to 25.
He would refer to his father as ce salaud bourgeois (that bourgeois arsehole) and he delighted in telling me the story of being thrown out of school aged eight because he punched the gymnastics teacher who was trying to instil discipline into young boys by turning them into military martinets. Of the professions and attitudes that merited his ire the military, the church, hypocrisy, sham, inauthenticity, politicians, academics and fascists collaborateurs had a special place in his heart.