#upstate-new-york-exhibitions

#upstate-new-york-exhibitions

"Most people don't stop to observe the crews' work or the infrastructure they uncover," Tentler-Krylov said. "But these unseen things keep the city going."

"We need at least a 15-percent increase in state operating assistance in order for the Upstate systems to address their structural budget deficits. What that means is we need that 15-percent increase so that we are not faced with having to reduce service. We're not faced with having to increase fares."

April's lineup at the Brooklyn Museum includes programs around 'Seydou Keïta: A Tactile Lens,' designed for accessibility and interactivity, featuring stroller tours for caregivers and infants.

Milton is a picturesque location along the west side of the Hudson River, halfway between Albany and New York City, known for its pretty parks and river views.

The annual Easter Bonnet and Parade Festival is all about the hats-lavishly decorated, from the exquisite to the outlandish. Anyone is welcome to join, just show up near St. Patrick's Cathedral at 10am on Easter Sunday to watch or saunter with the group up Fifth Avenue.

"This festival, 'Embrace Winter,' is now in its 14th year. We've hosted several events throughout the season, and this is our final one. Today we're here celebrating art, culture and community all coming together."

The show features pieces by participants in JASA's programs. The organization, which serves more than 40,000 older adults every year, offers art classes and creative workshops designed to bring people together while encouraging self-expression. The results will be on full display here, from paintings and textile work to other handmade pieces that reflect the artists' personal stories and styles.

Opening April 10, Keith Haring: On the Street marks the first time his painted 1963 Buick Special and 1983 Range Rover will be shown together in Manhattan.

Kamrooz Aram is everywhere this year, from Mumbai Art Week to the Whitney Biennial, and critic Aruna D'Souza is grateful. She pens a beautiful meditation on his work, reading his abstract paintings as not simply a denunciation of Western modernism nor a reassertion of Islamic visual motifs, but something else entirely - something gestural, exuberant, riotous, and incomparably his own.

"These works are an exploration of the human body's elasticity and capacity to metamorphose. Informed by my own experience of pregnancy and the birth of my first child last year, these paintings are a meditation on physiological transformation and the body's underlying animalistic and mammalian nature."

Hong Kong's particular and seductive Metabolist city planning is an ode to consumption as a great totalizer of culture, and to contemporary art as merely a niche commodity form among many others.

Pratt Shows is an annual series of public exhibitions and presentations by the Institute's graduating class, representing years of research, exploration, and creative inquiry.

The 6th edition of Earth 2026 juried awards invites artists worldwide to explore and express the power, beauty, and resilience of our wounded planet as we approach World Earth Day.

The Outsider Art Fair has enriched New York City's art world since its inception in 1993, presenting eclectic and idiosyncratic artists who challenge traditional fine art hierarchies.

The new New Museum is many things: contemporary, perhaps, but also a science, history, anthropology, and many other museums in one. It echoes the desire of its patron class to own the world and its affiliated courtier class to deliver it to them on a silver platter, or encased in perforated metal, in this case.

Dealers like artists with established sales records because it lowers their already considerable financial exposure. Renting a gallery space in Tribeca costs anywhere between $8,000-30,000 a month on top of staff, marketing, and daily operations. With that kind of overhead, very few business owners can afford to take on the financial risk of untested artists.

This year, we opted to sort our spring guide into categories, the better to match your mood. There are the shows everyone's talking about - big names like Duchamp and Raphael (seriously, how is this the first major survey of his in the city?), Frida Kahlo and Diego Rivera. There are major surveys, like the New Museum's inaugural show in its expanded building, MoMA PS1's Greater New York triennial, and of course, the Whitney Biennial.

With 70-plus shows, it's all you need to know about the major art happenings of the season. There's something in it for everyone, from the ancient to the futuristic. Above all, this is a love letter to our city, where art never sleeps.

Mornings are best for concentrated work. In the winter, I turn on the heat at 8am and get started around 10am. Summer, I start around 9am. I have two areas in the studio for projects. The large, heavy wood sculptures are carved in the front section of the studio, closest to the roll-up wide door. Smaller sculptures are placed on a hydraulic workbench. Before I start, I focus, connect with the Source, and ask for guidance.

I work outside, carving and shaping the stone. Outside my house, I have a table, an extension cord, and tools. It's very cold and I have to wear all my winter clothes. When it's too cold, I do the filing and finishing work inside after I shape it outside. I listen to all kinds of music. I listen to Eminem all the time; his albums are all my favorites. For drawings, I work at Kinngait Studios or at home on my kitchen table.

My mind, though enfeebled by New Year's celebrations, was fine; I'd traveled to Queens to see Jeffrey Joyal's "my Life Underground" at Gandt. For this exhibition, the gallery left its longtime home in a basement for a column-laden miniature ballroom in a clinic up the block, complete with a wrought-iron chandelier and ghostly portrait hanging above the crown molding. Walking through the lobby to the exhibition room, I passed by an empty suggestion box entreating patients to "rate their therapist."

Cezanne Fondation Beyeler, Basel, 25 January-25 May Paul Cezanne (1839-1906) represented a powerful inspiration for the artists who came after him; as Pablo Picasso famously put it, he was "the father of us all". Now, an ambitious exhibition focusing on the French artist's later works, when he was at the height of his powers, will open at Basel's Fondation Beyeler in January.