In the film, Bronz's character is commissioned to compose a new national anthem for post-Oct. 7 Israel, and writes a warmongering ballad about destroying Gaza and 'love sanctified in blood.'
Two hundred and fifty-six Quran memorisers—Palestinians who have committed the entire holy book to memory—sat in the place while companions beside them listened attentively, following each word carefully to ensure the recitation remained flawless. The gathering, titled Safwat Al-Huffaz—The Elite of Quran Memorisers, has become a special collective way of observing Ramadan in Gaza.
Ali Sbeity painted vibrant portraits and landscapes of his rural hometown in Southern Lebanon, often sharing his works on his Facebook. He participated in numerous local arts exhibitions and created murals for schools in Beirut.
Textiles are a window into the communities that created them, with every motif and line signalling a different memory, tradition or identity. Often seen as folk art, these pieces of embroidery and weaving bring together dozens of narrative threads, from Japan to South America. But nowhere is it more fraught with meaning than in Palestine.
There is a scene in "Morgenkreis | Morning Circle" (2025), a 16-mm film by Berlin-based Palestinian artist Basma al-Sharif, that unfolds at the threshold of a daycare center. A young boy clings to his father, his fists locked into the fabric of his coat, his arms wrapped tightly around him. The father gently tries to pry himself free while a daycare worker crouches nearby, attempting to distract the child and coax him inside. It is an ordinary moment, one that anyone who has ever been a child - or cared for one - recognizes instantly, as well as the gut-wrenching feeling it provokes.
I noticed the swelling of the double bass first, quickly followed by the fluttering of brushed cymbals. A saxophone pushing against the edges of a melody swiftly married the notes together, chords drifting haphazardly before reaching a slow, pulsing groove. The jazz quartet performed in front of a liquor cabinet lined with whisky bottles; low-hanging lights teetered overhead, throwing shapes on the monochromatic marble-tiled floor. Outside, a leafy veranda was filled with diners, the music drifting through flung-open doors and windows.
Last fall, I bought a ton of marble scraps off a sculptor in Woodstock for like, $10 off Facebook. For sandwiches and cakes, crumbling asphalt parking lots are good. When I lived in Sunset Park, they demolished a building a couple blocks from my apartment, and there was a hole in the fence, so I'd go in there and find tons of cool shapes and textures of rubble.
The moving story of a Tunisian man who refuses to let cancer define his mother's life and turns her treatment into a celebration of love, joy and resilience. When Tunisian TV host Hassen becomes a full-time caregiver for his mother Saliha, dying of lung cancer, their home and hospital visits become the backdrop for an intimate family love story. This observational documentary follows them through birthday celebrations, 4am medication, difficult medical consultations and quiet, emotional moments together.
Sara in Southern Lebanon On the Ground Her video diary shares her two-year journey of escaping to Beirut, followed by the difficulties of trying to return home. This video diaries was produced in collaboration with the Global Reporting Centre. Video Duration 03 minutes 58 seconds 03:58 Video Duration 03 minutes 12 seconds 03:12 Video Duration 04 minutes 35 seconds 04:35 Video Duration 03 minutes 51 seconds 03:51
Upon reaching Cologne, however, it quickly became apparent to the directors that the most fraught and complicated portion of Israa's exodus was just beginning. The journey from Aleppo had almost been as dangerous as it would have been for her family to stay there, but neither artillery shells, overcrowded boats, nor the constant threat of being sent back were as difficult for the girl to survive as the twin pains of exile and assimilation.
Twenty-one-year-old Moez al Shreiti was given up by his Tunisian mother at birth but is absolutely determined to find out where he comes from. His search takes him on a roller-coaster journey to find answers to the question that's dominated his young life. This observational film follows his sometimes painful search with all its obstacles, going to courts and hospitals and trying to get hold of official records.
the artist's newest body of work responds to an urgent question precipitated by the catastrophic events of the past year: What does one do when the world collapses? The works attempt to make sense of her experience of the fire and its enduring aftermath, while continuing her exploration of the poetics of loss, displacement, and migration. Kahraman views these works as an offering, a libation, to a burning world.
"The show is about giving the pen back to the writer, giving the paintbrush back to the artist, during this time of genocide," the Ridikkuluz told Hyperallergic in an interview at the gallery. "And when there's been so much censorship, these are artists that might not have been able to do this anywhere else."
As an artist, having the freedom to create without boundaries is incredibly rare. That's why I reference the Sistine Chapel-not to compare myself to Michelangelo, but to evoke that moment in history when an artist was entrusted with complete creative freedom to interpret humanity as it was understood at the time,
The quadrennial exhibition introduces a new type of transnational, transdisciplinary program to Doha, rooted in issues that affect both Qatar and the wider region. The artists exhibiting broadly represent the diverse nationalities that live in Qatar, while their work reflects the shared geographical, environmenta