TeamLab Planets quickly made a name for itself after opening its doors in 2018. It holds the Guinness World Record for the most-visited museum dedicated to a single group or artist, bringing in more than 2.5 million visitors from April 2023 to March 2024.
Viewpoints are structures designed for observing the landscape from elevated positions. They act as devices that organize the gaze and establish a direct relationship between the body and the territory.
The original intent of pilotis was to create a sense of lightness that would allow circulation and light to flow beneath a structure, but contemporary requirements render thin columns insufficient for large-scale civic projects.
Hong Kong's particular and seductive Metabolist city planning is an ode to consumption as a great totalizer of culture, and to contemporary art as merely a niche commodity form among many others.
The Boston Public Library, which dates back to 1848, features a beautiful central building in Copley Square with grand murals and fascinating exhibitions. McKim Courtyard, situated right in the middle, provides a perfect place to take a peaceful moment to relax before or after strolling through the stacks. The best part is that the library is free and open to the public.
The whole reason we're here is we know something is impossible, but we also know it's inevitable. He pulled off a trick where a member of the audience mixed up a Rubik's Cube, then Blake presented a second cube with identically arranged colors, demonstrating the paradox of magic where the impossible becomes inevitable through skillful illusion.
While most people think of the New York subway as a way to get somewhere, I happen to think of it as one of the greatest art museums in the world - and it only costs $3 to get in. As long as you don't go through the turnstiles, you can go from station to station all day long marveling at the wall art.
Art on the Underground was launched in 2000, with site-specific works exploring themes of community, space and place. David Gentleman's 'Cross for Queen Eleanor', for example, is synonymous with Charing Cross, while Eric Aumonier's sculpture 'The Archer' looks imperiously over East Finchley station, linking the site to its historic surroundings as an ancient hunting area.
The alley likely came into existence when the first Leadenhall Market, as a market for herbs, opened, with a long passage leading from the market to Gracechurch Street. The alley used to be longer and straighter, but the eastern half was cut off when a building was constructed on the site. That building was demolished in 2000, and archaeologists researched it for Roman remains in 2002.
This part of London sits just outside the historic City walls, so it attracted traders who wanted to avoid the strict rules binding City merchants. The land was later acquired by Thomas Wentworth, 1st Earl of Cleveland, who developed it, hence the main road being named Wentworth Street. If you're wondering about Ann's Place, that was probably after his wife, Anne Hopton.
For most of its life, the alley's main feature was the church of St Martin Orgar, possibly named after Ordgarus, a Dane who donated the church to the canons of St Paul's. Sadly, most of the church was destroyed during the Great Fire of London. The badly damaged remains were restored and used by French Protestants right up to 1820.
London is a city that rewards curiosity. Beyond the iconic landmarks, Big Ben, Buckingham Palace, and the London Eye, lies a quieter, more intimate version of the capital. This is the London locals know: tucked-away streets, overlooked parks, independent cafés, and historic corners that rarely make it into guidebooks. For travellers willing to stray from the obvious routes, the city offers countless hidden gems that reveal its true character.
Heritage sites constitute complex spatial archives in which architecture, history, and collective memory converge. They encompass a wide spectrum of contexts-from archaeological remains, ancient and historic townscapes, UNESCO-listed landscapes, to early modern civic structures and industrial infrastructures. Yet these environments confront challenges: climate change, urban transformation, disaster, shifting social needs, and the gradual erosion of material fabric. Revitalization and restoration projects respond to these conditions by positioning architectural and spatial practice as an active mediator between preservation and the contemporary topologies.
Time Out has named the London Museum as the best new thing to do in the capital in 2026. We can't wait for its reopening not only because of its dashing new rebrand (which features a logo of a ceramic pigeon), but also because of its its shiny new home in Smithfield Market.