"I turned to the landscape as a way of holding on to moments, to light, and to the often overlooked persistence of life. Photographing has always been, for me, an act of remembrance: a way to slow time and preserve what is still growing and still breathing, even as loss reshapes our experience of the world."
Kamrooz Aram is everywhere this year, from Mumbai Art Week to the Whitney Biennial, and critic Aruna D'Souza is grateful. She pens a beautiful meditation on his work, reading his abstract paintings as not simply a denunciation of Western modernism nor a reassertion of Islamic visual motifs, but something else entirely - something gestural, exuberant, riotous, and incomparably his own.
Hong Kong's particular and seductive Metabolist city planning is an ode to consumption as a great totalizer of culture, and to contemporary art as merely a niche commodity form among many others.
Art on the Underground was launched in 2000, with site-specific works exploring themes of community, space and place. David Gentleman's 'Cross for Queen Eleanor', for example, is synonymous with Charing Cross, while Eric Aumonier's sculpture 'The Archer' looks imperiously over East Finchley station, linking the site to its historic surroundings as an ancient hunting area.
The record price in the category, $13.8m- paid last year at Christies' in New York for a painting by the Mumbai-based Modernist M.F. Husain-is more than three times what it was 20 years ago.
The RA is led by leading artists and architects, with the UK's oldest-and, crucially, free-art school at its heart. The opportunity to shape the RA's artistic programme and respond to its extraordinary gallery spaces, as well as launching the expanded Collection Gallery, is tremendously exciting.
Tate Modern museum in London announced its slate of 2027 exhibitions, including an opera-inspired installation by David Hockney in the revered Turbine Hall marking the artist's 90th birthday, Algerian artist Baya's debut U.K. solo show, and the first-ever exhibition devoted entirely to French impressionist Claude Monet since the Tate Modern opened 26 years ago.
Dealers like artists with established sales records because it lowers their already considerable financial exposure. Renting a gallery space in Tribeca costs anywhere between $8,000-30,000 a month on top of staff, marketing, and daily operations. With that kind of overhead, very few business owners can afford to take on the financial risk of untested artists.
Your weekly Londonist roundup, featuring Londony news and features. Including the room behind that world-famous balcony. Hat's the way uh-huh, uh-huh... You can hire it for birthdays, too. No tube strike on Monday after all. If you see what we mean. Mirroring the proposed Bakerloo line extension. When, where, who and how of London's biggest run.
It's not that advertising campaigns are never announced, but when they are, it's usually in advertising trade magazines, and generally by the agency that did the work. The client doesn't normally issue a press release that essentially says, "We are putting up some posters." Yet that is exactly what the Tate has done, issuing a general announcement that it will run an advertising campaign for its upcoming Tracey Emin exhibition.
And what a year it's gonna be for the city's gallery-botherers, with blockbuster exhibition after blockbuster exhibition on the way over the next twelve months. There's monumental sculpture, pointillist landscapes and flashy photography, massive names from Renoir to Hockney, and so many big shows by women that the Guerrilla Girls might have to get a new schtick. RECOMMENDED: The best theatre shows in London for 2026.
In the story of art history-the art and artists, movements and trends-a select number of galleries have played a defining role in the evolution and trajectory of art itself. Among them, the Mayor Gallery in London is surely one, as it has maintained a position fostering and promoting some of the most significant developments in art for an astounding 100 years.
The Courtauld has announced plans for two new contemporary art galleries and a reading room at London's Somerset House, supported by a £10m gift from the Blavatnik Family Foundation. The donation brings the Foundation's total support for the institution to £20m. The Blavatnik Contemporary Galleries are expected to open in 2029 as part of a wider campus redevelopment, costing £82m. This redevelopment will also involve the construction of a new Blavatnik Reading Room inside the Courtauld's remodelled library.